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A Brief History of Pressed Glass Beads

This post was originally published in May 2023 and was updated and republished in Sept. 2024.

The Invention of Pressmolding in Bohemia

Bohemian artisans invented the use of iron tongs to create shapes out of heated glass canes in the 18th century. It is said that the discovery of this “pressmolding” technique was a “happy accident” by a bead maker when he: “dropped the metal bar or wire he wound beads with into the glass mass and when he fished it out with tongs, he noticed that the glass that adhered to them took on its shape.” (Die Perle, 1927, vol. 4, no. 7, p. 52, translated and compiled by Anita von Kahler Gumpert and Karlis Karklins). According to Sibylle Jargstorf, these early glass pressing molds arose with the aim to compete with the French in the chandelier crystal drop industry (Jargstorf, S. (1993), Baubles, Buttons and Beads: The Heritage of Bohemia, Atglen, PA: Schiffer Publishing Ltd, p. 49). Regardless of how exactly the glass press molds came about, skilled makers began using the molds for decorative glass buttons and then beads. By the early nineteenth century, machines  replaced tongs to produce pressed glass on a larger scale.

New Decorative Elements Introduced to Pressed Glass Beads

The discovery of the pressed glass technique led to fanciful shapes and designs although round ones are also made in this way. Each tong had a specific shape to accommodate different designs. Artisans worked in small groups around a furnace. Besides flowers, animals became popular, as well as many geometric shapes. By the 1840s glass makers were adding decorative color accents to some of these beads to highlight the impressions made by the molds (Jargstorf, S. (1993), p. 52). Glass makers innovated with the molds to create new styles, meeting the demand of 19th century fashion for buttons of all sorts, and later beads, cabochons, and cameos.

Jablonec nad Nisou: A Regional Center for Beads

The current city of Jablonec nad Nisou (Czech Republic) has gone through a variety of name changes but one thing that remains unchanged is its reputation as a regional center for glass beads since the 16th century (Kaspers, F. (2014), Beads From Jablonec: A History in Beads, Amsterdam: Marblings Publishing, p. 13). Evidence of glass making in the region dates to the 13th century. Ethnic Germans arrived in the region in the 16th century, coinciding with the growth of the glass making industry. So many ethnic Germans settled in the area that the city name reflected the changing population and became known by the German word Gablonz. From the 1870s through the 1920s, the glass bead industry flourished in this region, exporting beads to Europe and America. During World War II, the area was annexed by Nazi Germany, leading to the annihilation of the Jewish population and the expulsion of the ethnic Germans to Germany after the war. The beadmakers among them settled in Bavaria in a town they called Neu Gablonz, where they continued to produce beads. However, they lost many of their original molds and never reached the pre war level of production.

A New Era for the Pressed Glass Bead Makers

As a cottage industry, most of these beads were produced in small batches with workshops attached to homes. The end of the 19th century saw a change to more machines, larger workshops, and small factories. In the mid 1950s, the communist government of Czechoslovakia revived the industry following the disastrous years of war. Jablonex became the state monopoly that oversaw bead production (P. Nový, “The Story of Jablonec Costume Jewelry,” Journal of Glass Studies, 2022, vol. 64., p. 208) Jablonex still produces pressed glass beads, but the fall of Communism also saw the rise of small bead enterprises in the area. Old molds were rediscovered and dusted off. Today it is possible to find reproduction beads from the past, as well as beautiful new shapes and colors.

Early Spring at the Missouri Botanical Garden

A First-Time Visitor

I finally had the chance to visit the Missouri Botanical Garden, founded by Henry Shaw in 1859. It is one of the top botanical gardens in the world with an invaluable collection of plants. I had hoped to catch the Cherry Trees in bloom and was not disappointed. We had a lovely stroll through the grounds, including the conservatory and the Japanese Gardens.

Many Gardens in One

As a first-time visitor, I was surprised by the diversity of the gardens, including an English woodland garden, a variety of German Gardens, and a large children’s garden. The garden had a renaissance in the 1970s-2000s under the leadership of Dr. Peter Raven. The Japanese Garden, the Rose Garden, the Victorian Garden, the Boxwood Garden, and many more opened during his tenure. You can read more about the history in the online text An Illustrated History of the Missouri Botanical Garden.

The Japanese Garden

The enormous koi fish in the Japanese Garden lake were so well-fed that they ignored the food pellets people could buy to throw to them. We also saw some contented Mallard ducks. The 4-acre lake includes four islands and a small waterfall. The garden path winds around the lake with views of a dry garden with raked gravel, lanterns, and wooden bridges. Walking through the naturalistic Japanese garden gave me a profound feeling of calmness.

The Conservatory

The Climatron© Conservatory is an incredible architectural feat, a geodesic dome without columns or other interior supports. Built in 1960, it was the first geodesic dome to be used as a greenhouse. The gorgeous tropical plants, including orchids, banana plants, and palm trees, cover half an acre. You can learn more about the conservatory on the Garden’s website. Dale Chihuly’s “Sunset Herons,” a set of graceful orange glass sculptures, rise up in one of the ponds and Chihuly’s “Missouri Botanical Garden Blue Chandelier,” a large ombre blue sculpture with many delicate spirals, hangs down from the ceiling.

A Serene Experience

The grounds are spacious, so we never felt like we had to battle crowds. The flowering crabapples, dogwoods, and redbuds were spectacular. We also enjoyed the daffodils and tulips. For one of the most famous and popular spots in St. Louis, it was overwhelmingly peaceful and relaxing. I hope to return during summer to see the fountains, roses, and water lilies. It will be worth braving the heat and humidity to see the summer flowers. I’d also like to check out the gift shop and café in the Visitor Center.

How to Visit

The parking lot was full but we had no issues parking on the street a block away. Parking is free but the lot is not large. The garden is located at 4344 Shaw Boulevard, St. Louis, MO, 63110, right off I-44. The garden is open every day, year-round, except for Christmas Day. General admission is $16 for non-residents and $6 for city and county residents. You can buy tickets in person or online before you go at the Missouri Botanical Garden website.

Every Bead Tells a Story

Some of the most beautiful vintage glass beads to collect and wear come from mid-century Japan. In particular, the Cherry Brand label produced gorgeous little gems, each a mini-masterpiece in opaque and transparent colors, dimpled and smooth surfaces. What is the story behind these beads?

The Miriam Haskell Company

The beads arrived in America thanks to the efforts of the Miriam Haskell Company. Miriam Haskell began her company in 1926 and was one of a handful of women who found success running a jewelry business at the time. Working with her chief designer, Frank Hess, she was known for extravagant and colorful beaded designs. Before World War II, Haskell traveled to Europe to bring back the highest quality beads and materials. During the war, the designer turned to plastic and natural components due to supply disruptions and shortages. By the early 1950s, glass beads returned to Haskell jewelry. However, these beads now came from Japan instead of Europe. 

Cherry Brand Beads

How did this switch in suppliers happen? It is unclear how Miriam Haskell and her company discovered Japanese glass beads, and in particular Cherry Brand beads. Two factors may have helped Haskell become aware of these beautiful beads. First, Matsuwaka Glass and Pearl Works Corporation, located in Izumi, was one of the first companies in Japan to export their beads. Beginning in 1921, they began selling overseas under the label Cherry Brand. The company used the Cherry Brand label for export from 1921 to 1993 (with trade suspended during WWII). Cherry Brand beads may have been known to Haskell, and become a new source for her after the war. Second, after World War II, the Americans occupied Japan and promoted Japanese exports across many industries. Perhaps this push helped introduce Haskell to glass beads from Japan. This promotion may have helped the Matsuwaka Corporation begin its export business again, or perhaps it began exporting beads soon after the occupation. 

1950s-1990s

The American occupation ended in 1952, and during this time, or shortly thereafter, the Haskell Company bought boxes and boxes of beads with the Cherry brand label. The Haskell Company had enough Cherry Brand beads for chief designer Frank Hess to use in many creations of the 1950s. Long after a change in ownership, new designers at the company created designs with these beads in the 1990s. In the late 1990s, the Haskell Company auctioned off its old stock, including a large collection of Cherry Brand beads.

Are vintage Cherry Brand beads available at present? Jewelry supply companies and individual collectors bought up the beads when they were auctioned off. You can find the beads through sellers who specialize in vintage stock.

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